By the time artist David Personius was growing up in the 1950s, carved wooden bird decoys were largely a thing of the past—collector’s items for folk art aficionados like his dad. European settlers, inspired by Native Americans creating avian replicas out of natural materials to attract live birds, picked up the practice of carving fake fowl. Those decoys became a vital tool for commercial hunting in the 1800s, a trade that slashed migratory bird populations and helped drive the Passenger Pigeon to extinction before the practice was banned. Eventually, the invention of plastic decoys for sport hunting in the 20th century made the handmade versions obsolete. But folk artists like Personius have kept the tradition alive.
Personius carved his first few decoys for personal use when he went duck hunting with his dad. He turned the hobby into a career after graduating from college in the 1980s, and spent a decade selling meticulously crafted shorebirds at art fairs and waterfowl shows across the country. “I feel fortunate that I was at it long enough and had enough experience and talent to create my own little style,” he says. Unfortunately, it was also a hard way to pay the bills—so Personius set his carving tools aside to work in publishing, then in horticulture. He finally returned to the craft 14 years ago, now living in Fairbanks, Alaska.